Libraries and “Merry Library Murder”

By N. M. Cedeño

The fact that the victim in my upcoming story entitled “Merry Library Murder” is a librarian is not a sign of hidden hostility or wishful thinking. Rather, the opposite is true. I set the story in a library because I spend a lot of time in libraries. Most of my reading material comes from the library, and I am a long-term library volunteer.

Of the many volunteering opportunities available in my children’s schools, the one to which I always gravitate is the assisting in the library. At one point, when I had an elementary, middle, and high school student in the house, I volunteered in all three libraries on a rotating basis each month. I started volunteering in school libraries about fifteen years ago and am still volunteering at the local high school library.

While volunteering, I’ve labeled, weeded, discarded, scanned into inventory, removed from inventory, added genre stickers to, added series number stickers to, shelved, checked-in, checked-out, magnetized, and demagnetized books. The books I’ve inventoried probably number well over 100,000. I’ve unpacked boxes of new books, packed boxes of old books, and shifted books on shelves. I’ve helped rescue books from a termite invasion and assembled and mounted signage. I once went through almost every picture book in an elementary school library to place red stickers on the spines of the ones with reading tests available for them. That meant looking up every single book on the computer to see if it had an associated test before placing or not placing a sticker on it. In order to raise funds for libraries, I’ve operated registers at more Scholastic Book Fairs than I can remember.

Last year, I helped genre-fy the entire fiction section of a high school library. How does one genre-fy a library? One separates the books by genre and creates sections: adventure, horror, science fiction, mystery, suspense, supernatural, fantasy, realistic, romance, historical, sports, humor, and classics. Graphic novels get their own section and genres, as do the books in languages other than English. This process required me to shift all the non-fiction books to make space. Consequently, I may be the only one in the entire community who has held almost every single book in the local high school library in my hands. That’s over 30,000 books.  

By far the most painful library duty I’ve ever performed is weeding fiction books. Removing fiction books from the collection that have sat on a shelf for years, untouched and unread, is a sad thing to do. But it’s something that has to be done. Shelf space is limited and new books are coming out every day.

Weeding non-fiction books that haven’t been read in years is less painful. If the material in the book is obsolete, it deserves to be removed from the library to make room for more current material. Who wants to read “How to Build a Webpage” out of a manual written in 1996? Books on teen pregnancy resources from the 1980s aren’t likely to be helpful to anyone today either. The oldest books I pulled from the shelves were from the early 1950s. They may have been useful in an archive somewhere, but not a high school library. After a day of weeding books, my hands are usually black with grime from decades of accumulated dust.

So to reiterate: I love libraries. And librarians. And Library Assistants, too. Many thanks to all the library staff I’ve worked with over the years. Sara, Becky, Maureen, Sarah, Ronda, Charity, Christina, Carole, Alyson, and all the rest, you are the best!

However, the victim in my upcoming short story, entitled “Merry Library Murder,” is a librarian. And yes, she is murdered in her own library during her town’s holiday festival. But this story is a holiday who-dunnit. Which means that justice will be served. If you’re looking for a quick holiday mystery, watch for Black Cat Weekly #68, coming out in late December. Or subscribe to Black Cat Weekly and get great reading delivered to your inbox every Sunday.

*All pictures by Pixabay.

***

N. M. Cedeño is a short story writer and novelist living in Texas. She is active in Sisters in Crime- Heart of Texas Chapter and is a member of the Short Mystery Fiction Society. Find out more at nmcedeno.com

Writing “It Came Upon a Midnight Ice Storm”

By N.M. Cedeño

People like to ask writers, do you ever use details from your life in your writing? Answer: Sometimes. It depends on what I’m writing. If I’m writing science fiction or noir, nothing in the story may be evocative of my life. Other times, details from my life do creep into my stories. “It Came Upon a Midnight Ice Storm” is one of those stories that has a bit of my life in it.

Black Cat Mystery Magazine #12

Written originally in 2010 or 2011, the manuscript sat forgotten in a file for seven or eight years before I decided to revise and submit it for publication. The story is available in Black Cat Mystery Magazine #12, the special cozies edition, edited by Michael Bracken.

Without further ado, here are some things from my life that influenced my writing of the story “It Came Upon a Midnight Ice Storm.”

  • The story is set in Dallas during a Christmas Eve ice storm that traps a party of houseguests together overnight. Trouble ensues when one guest accuses the others of stealing her bracelet. I grew up in Dallas County where ice storms hit the city every few years. The city doesn’t get frozen precipitation often enough for anyone to have to drive on it with any regularity. When an ice storm hits and coats everything with an inch of ice, the city shuts down and everyone stays home for a day or two until it melts. Historical note: the first draft of the story was written about ten years before the 2021 catastrophic ice storm that hit Texas. Texans are used to ice storms hitting sections of the state. Ice storms big enough to coat the entire state in frozen precipitation for a week, as happened in 2021, are a whole other matter.
Things I’ve baked and decorated.
N.M. Cedeño
  • The main character in the story, Eleanor, spent the day baking and preparing for a Christmas Eve family gathering. I enjoy baking. A lot. Cookies, cakes, brownies, muffins, quick breads, scones, and scratch-made baking powder biscuits are the favorites in my house. Pies and fudge appear seasonally. As much as I enjoy baking, there have been times, usually after prepping for an event, where I have been utterly tired of baking, a feeling shared by my main character.
  • Eleanor’s husband Joe has three siblings with whom he is close in age. I come from a large family and grew up with two brothers and two sisters for a total of five of us, plus two parents, plus assorted dogs. Between friends and relatives our house was frequently packed. Holidays in my family have always involved a lot of people, and, thus, family dynamics. However, none of the characters in the story are like my siblings or my husband’s siblings.  
Nativity scene from Pixabay
  • As with Joe’s family in the story, my husband’s family has a Christmas tradition involving setting up a prominently-displayed, elaborate Nativity scene in their home in which the infant Jesus in the display remains covered from head-to-toe in a cloth until December 25th.
  • According to the character Luke, Die Hard is a classic Christmas movie. Most of my family would agree with this statement.
  • Like Becky in the story, two of my siblings and my eldest son attended UT Dallas.
  • Among my more than a dozen nieces and nephews you will find an Eleanor, a Joseph, a Luke, a Rebecca (not called Becky), and a (middle name) Helen (not Helene). However, two of them were born AFTER the characters in this story were named and, in truth, all of the names are coincidental. I wasn’t thinking of anyone in particular when I named the characters. This isn’t the first time I have used a family member’s first name for a character. If the first name fits, I use it.

The above are all details to the story. The plot about the disappearance of an expensive bracelet during a Christmas Eve party is entirely fictional.

*****

N. M. Cedeño is a short story writer and novelist living in Texas. She is active in Sisters in Crime- Heart of Texas Chapter and is a member of the Short Mystery Fiction Society. Find out more at nmcedeno.com

When Submitting Short Stories to Markets, Patience is Required

By N.M. Cedeño

How long does it take to hear back from editors with acceptances or rejections of short stories? That depends on a number of variables, but in most cases in the world of short mystery fiction, patience is required.

How much patience?

I currently have stories that have been pending for 387 days, 200 days, and 190 days, respectively.

For the story pending the longest, I heard from the editor about several issues that have delayed responses. He made it clear that those who submitted are free to submit elsewhere, and, if the story is picked up by another market, to simply withdraw it from him. However, the story was written for a very specific call for submissions. I would have to re-edit the manuscript and change details to make it submittable elsewhere. So for the moment, I’ve decided to wait and see what happens rather than submit the story to another market.

The manuscript currently at 200 days post submission will probably not receive a response until a full year has passed. I know this because it’s submitted to one of the most prestigious markets in short mystery fiction, Alfred Hitchcock Mystery Magazine. The statistics on how long AHMM takes to respond to submissions are available online at The Submission Grinder. The average response time is currently 371 days. I know of authors who won’t submit to the magazine because of the extreme length of response time and low odds of acceptance. My current thinking, which may change at some point, is that if I don’t submit, I’ll have no chance of getting published by the magazine. The wait is the price I have to pay for that opportunity.

The next story, submitted 190 days ago, is a bit more perplexing. I submitted it early, well before the call deadline. So although the editor has had it for six months, the deadline for submissions was three months ago. From what I can see online and from asking other authors, no one has had a response from the editor yet. Since the call for submissions didn’t give a timeline for responses, only the planned publication date, which is just a few months away at this point, I sent an email inquiring if my story was still being considered. Sadly, I haven’t received a response to my query. Unless I want to withdraw the submission and try to submit the piece elsewhere, all I can do is have patience and wait to see if anyone else receives a response or if the editor responds to my query.

These three stories submissions represent the longest wait times for responses that I usually experience from markets that actually bother to send responses. (Some markets never respond unless they want the story. And, yes, that’s REALLY ANNOYING.)

Many markets respond much faster to submissions than the above examples. Data on response times for various magazines can be found on The Submission Grinder and other places online. Waiting a few weeks to receive a response is common, as is waiting a few months. But the need for patience doesn’t end with the submission process.

And then, wait some more…

Once a story is accepted, the wait to publication begins. The longest I’ve had a short story pending publication after acceptance is currently at 16 months and counting. I’ve heard from authors who’ve waited as long as two years between acceptance and publication of a short story in a magazine. In this case, the story will be published shortly because I received the proof pages from the editor a few weeks ago. It’s coming … eventually.

To reiterate: In writing and submitting short mystery fiction for publication, patience isn’t merely a virtue, it’s a necessity.

*****

N. M. Cedeño is a short story writer and novelist living in Texas. She is active in Sisters in Crime- Heart of Texas Chapter and is a member of the Short Mystery Fiction Society. Find out more at nmcedeno.com.

Facing a Writing Challenge

by N. M. Cedeño

Many writers find motivation in challenging themselves in various ways. Some attempt to write a novel length manuscript each November as part of National Novel Writing Month (NaNoWriMo). Some writers set daily, weekly, or monthly word count targets as challenges to meet. Most do this because they know that when they challenge themselves, they find out what they are capable of accomplishing and learn to push themselves to accomplish more.

Sometimes we writers set these goals for ourselves, other times someone, like an editor in need of a story, provides the challenge for us.

Opportunity Knocks:

In the last week of May 2022, I received an unexpected writing challenge. It arrived in the form of an email from an editor, inviting me to submit a short crime fiction story for an anthology. The catch was that the original deadline, which the editor was willing to extend for me, was only about a week away.

I read the submission criteria, considered my options, and reviewed what was already on my schedule. Then I asked for a month, June, to submit the story, not knowing if that would work for the editor’s timeline.

Could I have said no? Sure. But I recognized that the challenge was also an opportunity to show myself and the editor what I was capable of doing. I was afraid the editor might need the story sooner than my suggested deadline and that he might say no.

The editor replied to my email, agreeing to give me until the end of June to submit the story.

Hooray! And Yikes! I had a deadline to meet.

Meeting the Deadline:

The short story had to fit the specifications for the anthology in question which meant that it had to be set during a particular time period and incorporate some historical event. The time in question happens to be the decade in which I was born, so I have no personal memories of historical events from then. I had to do research. Normally, I research until I get a good grasp for an era before writing. I’ve been known to fall down research rabbit holes and find far more material than I need. My research process had to be curtailed to cover only what was essential: the time and place where I was going to set the story.

Next, I selected a previously created character to make a second appearance in my new story. That character, a private detective named Jerry Milam, appeared in a story called “Nice Girls Don’t” which I wrote for the anthology Groovy Gumshoes: Private Eyes in the Psychedelic Sixties. Already having a protagonist saved me from having to create a main character from scratch.

After researching the decade and selecting a protagonist, writing the first draft took about three days, resulting in a manuscript that was missing some details. Then, I left on a previously scheduled, nine-day, family vacation, taking my laptop, but knowing I wouldn’t have time to do much work. As it turned out, I only opened the laptop twice during my trip, both times late in the evening.

Once I returned home, I went to work in earnest adding the details I knew were missing. The middle of the story felt muddled, so I reworked it in another draft the following day. Satisfied that the manuscript was complete, I emailed the story to two of the world’s best beta readers, two analytical and detail-oriented people who know that I WANT them to point out every possible error. They know I can take criticism. (I’d rather hear about errors from them than have the story rejected for those same errors!) Both returned notes on the story within a few days, for which I am extremely grateful. (Thanks, Mike and Deb!) After reviewing what errors my beta readers noticed, I corrected and completed the final draft of the story.

In the next few days, I reviewed word choices and line edited the entire document. I made MSWord read the story to me, so I could proofread by listening for errors. Finally, I submitted the story to the editor on June 18, almost exactly four weeks after I received the initial invitation to submit.

Did I hesitate before hitting “send” to submit the manuscript, wondering if I needed to review it one more time?

Yes.

Did I send it anyway?

Yes.

Results:

A week later, I heard back from the editor. The story was accepted for the anthology. I’ll provide more details on the story closer to publication.

I met the challenge and learned something. I could have done it in even less time. I’m glad that when an opportunity dropped in my lap, I was able to rise to the occasion. I’m grateful that the editor gave me the opportunity to meet this challenge.

Leave me a comment on writing challenges you’ve met!

*****

N. M. Cedeño is a short story writer and novelist living in Texas. She is active in Sisters in Crime- Heart of Texas Chapter and is a member of the Short Mystery Fiction Society. Find out more at nmcedeno.com.

Submitting Short Stories: It’s Like Baseball

By N. M. Cedeño

Many of the stories I write aren’t accepted the first time I submit them for publication. The majority have to be submitted over and over again to find a publication home. The process made me think of a batter stepping up to the plate in baseball because I may strike out repeatedly before scoring a run.

Most of the time, I write stories with no specific publisher in mind. I write the story because I want to or because the only way to get it out of my head- and make it stop bothering me- is to put it down on paper. Then, after the story is written, I begin the process of looking for a place to submit it. “It Came Upon a Midnight Ice Storm” is one of these stories. I wrote it for myself because I like light-hearted mysteries stories set at Christmas.

I first submitted this Christmas story for publication in mid-2018. It was rejected, struck out, eventually a total of eight times. I put it through workouts, strengthening it several times between ‘at bats’. Then, I saw a call for submissions that I thought it might fit, a call for cozy mysteries. On my ninth submission, the story was accepted. It will appear in Black Cat Mystery Magazine in a couple months.

from Murderous Ink Press, 2022

Sometimes, I’ll write a story based on requirements for a specific call for submissions, and it’s not accepted. I strike out. If the call was general enough, I can turn around and resubmit the story elsewhere with no changes. It’s ready for its next ‘at bat.’ That was the case for my story, “Reaching for the Moon.” After being initially rejected, and then rejected again, I submitted it to Murderous Ink Press, where editor John Connor accepted it for inclusion in the Crimeucopia: Say What Now? Anthology.

In other cases, the call for submissions may be in such a specific niche that I need to change the story in order to submit it elsewhere. Continuing the baseball analogy, I prepped the story to face a specific pitcher and have to make changes to face a new pitcher for the next ‘at bat.’

For example, my story “Serenity, Courage, Wisdom” was written for a very specific call for submissions for stories inspired by the music of a particular group and was rejected. In order to resubmit it elsewhere, I changed the title, which was originally a song title, and stripped out the details related to the song. Stripping those details left a hole, so instead of referencing a song, I settled on referencing a prayer that hung in my parents’ kitchen my entire childhood and that I have a copy of in my own kitchen.

After making these changes, I submitted the story to Black Cat Weekly, where the editor said the story needed a little work before he’d publish it and gave me some suggestions. In this case, I made a base hit, which requires more work on my part to make it to home plate. To get to home plate, I have to listen to the coach, aka the editor. I have to review the editor’s suggestions and work on the story with those suggestions in mind. If I don’t do the work, I get left on base and never make it home. If I do the work and send the story back to the editor, and he’s pleased and accepts the story, then I’ve rounded the bases to home plate and scored a run.

In this case, I did the work to earn the run. “Serenity, Courage, Wisdom” will be published in Black Cat Weekly #37 coming out in May 2022.

from Down & Out Books, 2022

Only one of my stories so far has been accepted on its first submission, which is the equivalent of hitting a home run. That story, “Nice Girls Don’t,” was written specifically for the anthology, Groovy Gumshoes: Private Eyes in the Psychedelic Sixties edited by Michael Bracken. I saw the call for submissions months ahead of the deadline and went to work researching material and writing the story. The anthology was published last week, debuting on April 11, 2022.

I have yet to retire any stories from the line-up. Eventually, I may have to set one aside, waiting to come out for the right call for submissions.

A Note: I’ll be participating in a panel discussion on mysteries, talking about my short mysteries, on Friday, May 13, at Hearth & Soul in Austin. Check the “Gather” tab on their website for time and location. Additional information will be posted soon.

****

N. M. Cedeño is a short story writer and novelist living in Texas. She is active in Sisters in Crime- Heart of Texas Chapter and is a member of the Short Mystery Fiction Society. Find out more at nmcedeno.com.

Writing “Reaching for the Moon” for Crimeucopia: Say What Now?

by N. M. Cedeño

Although I may veer off into other areas, my reading pile usually comprises two main categories of books: mysteries and histories. Sometimes when I’m writing, those two categories collide, and I write historical mysteries. Two of my historical mystery short stories will be published in March and April 2022.

Available March 2022 from Murderous Ink Press

The first story, “Reaching for the Moon,” is part of an anthology edited by John Connor entitled Crimeucopia: Say What Now? from Murderous Ink Press. The second story, entitled “Nice Girls Don’t,”  will be published by Down & Out Books in Groovy Gumshoes: Private Eyes in the Psychedelic Sixties edited by Michael Bracken. 

I wrote about the inspiration for “Nice Girls Don’t” in my last post. Today, I’ll review what inspired “Reaching for the Moon.”

Moon landing, NASA photo, from Pixabay.

I’m a fan of the history of space exploration. From Hidden Figures to Apollo 13, I’ve always been fascinated by the massive effort behind sending the first people into space and bringing them home safely. The space program’s tragedies – from Apollo 1 to Challenger and Columbia – and triumphs – from the Mercury Program to the International Space Station – are the stuff of legends.

Anyone who has read anything about the first US astronauts knows that the test pilot / astronaut lifestyle took a toll on marriages. Marital infidelity was common among the astronaut corps who were frequently away from home for training. Consequently, the divorce rate after leaving NASA was very high. But, NASA wanted to present a wholesome, clean-cut image of their astronauts that didn’t include divorce or infidelity. Life Magazine did full spreads on each of the first astronauts that presented the men as squeaky-clean Boy Scouts with perfect home-lives. This discrepancy between the public persona and private reality of the astronauts inspired ideas about the possibility of blackmail.

Because I live in Texas, I’ve toured the Apollo mission control center at Johnson Space Center in far south Houston several times. Anyone who has visited Space Center Houston knows that a mere thirty or so miles farther south down Interstate 45 is Galveston Island on the Gulf of Mexico.

Walking on a granite jetty, Galveston Island, Cedeño family photo 2021

Galveston Island has its own remarkable history. The barrier island was used as a pirate base before it became a major port city in the 1800s. Then, the 1900 Hurricane nearly obliterated the city, forcing port activity to move inland to Houston. The island became a vacation and pleasure spot infamous for ignoring the laws against drinking and gambling during the Prohibition era. Galveston enjoyed a lawless, mafia-run heyday between 1920 and 1950. Much of the illegal activity centered on the Balinese Room, a Maceo Family owned gambling joint and restaurant that perched on a pier over the Gulf and drew top talent from Hollywood, including Frank Sinatra and Bob Hope, to provide entertainment for guests.

The space center’s proximity to Galveston made me wonder: what if a 1960s astronaut wandered south to Galveston Island to see the places once made famous by Hollywood stars and mobsters and got himself into trouble? What if he had to seek the aid of a private detective to resolve the issue? And so, with a few name changes here and there to protect the innocent or the guilty, as the case may be, my story “Reaching for the Moon” was born.

I’m thrilled to have my story published with so many other great stories in Crimeucopia: Say What Now?, the 10th anthology in the Crimeucopia series from Murderous Ink Press and editor John Connor.

****

For additional historical reading, I recommend Hidden Figures by Margot Lee Shetterly, Moon Shot by Barbree, Slayton, and Shepard, Failure Is Not an Option by Gene Kranz, Light this Candle: the Life and Times of Alan Shepard by Neal Thompson, and Isaac’s Storm by Erik Larson.

N. M. Cedeño is a short story writer and novelist living in Texas. She is active in Sisters in Crime- Heart of Texas Chapter and is a member of the Short Mystery Fiction Society. Find out more at nmcedeno.com.

Writing “Nice Girls Don’t” for Groovy Gumshoes

So what if I wasn’t born in the 1960s? I can do research!

In 2020, I came across a call for submissions for mystery short stories to be included in an anthology. The anthology was to be called Groovy Gumshoes: Private Eyes in the Psychedelic Sixties. The editor, Michael Bracken, wanted stories set in the 1960s featuring private detectives, with bonus points given if the story included a major historical event.

The call caught my attention, but not having been born in the 1960s, I searched my brain for any specific event that I might use as starting point for a story. Two events for which I had a wealth of knowledge at my fingertips came to mind. One was the Assassination of President John F. Kennedy. When you grow up in Dallas, this one comes to mind quickly. But I thought that event, given its extreme historical prominence, might be covered by too many other authors submitting stories.

So I selected the second event: the UT Tower Shooting.

The University of Texas Tower Shooting on August 1, 1966, is a dark shadow on Austin’s history. It was a mass shooting at a school that happened decades before such events became regular occurrences. The Tower Shooting, like the JFK assassination, is reviewed regularly by the local media on anniversaries of the event. And I am intimately familiar with the locale where the shooting occurred since I attended the University of Texas at Austin and walked in the shadow of the Tower daily for four years. Additionally, the shooting is well-documented. Video taken that day is even available online. I knew that finding background details for a short story set around the time of the shooting wouldn’t be hard.

However, none of that is why the Tower Shooting came immediately to mind.

It came to mind because I knew someone I could question about life in the 1960s in Austin, Texas, and about the Tower shooting in particular: my father.

My father, whose grandparents were all Czech immigrants who arrived in Texas after the Civil War, graduated from tiny Rogers High School in rural central Texas and set out be the first in his immediate family to graduate from college. He worked his way up: first attending a junior college, then transferring to a small private college, then transferring, finally, to the University of Texas at Austin. On the fateful morning of August 1, 1966, my father turned in the final paper for the final class he needed to graduate. He arrived on campus early in the morning and left to report to his job at an Austin grocery store.

My father- Dec. 1966

He had a lot on his mind that day. With his upcoming graduation at the end of the summer term, my father should have been considering his improved employment prospects. But he wasn’t looking for jobs. He knew that his draft number was coming up in October. He had to make a decision: volunteer for the draft or wait to be drafted into the military in the midst of the Vietnam War. He volunteered for the draft in September 1966.

Twenty-seven years later, on my first day living in the dorms at UT, my father showed me where people had died near the balustrade on the South Mall. He pointed out the bullet holes marking the stone. He recounted his memory of leaving campus and listening to the shooting on the radio while at work. His story of that day, woven into the story of his life, became a piece of family lore, embedded in my memory.

And so, after picking my father’s brain and doing a ton of research, my short story “Nice Girls Don’t” came into being. The story features a private detective hired in September 1966 to investigate the death of a young woman, a UT student who died the day of the Tower Shooting. The girl’s parents believe their daughter’s case was ignored because the police were too busy dealing with the Tower Shooting to give her death the attention it deserved. The parents want the detective to find out what really happened.

After completing my story, I submitted it to the editor, hoping it might be selected for inclusion in the anthology… And the editor, Michael Bracken, chose my story to be included in Groovy Gumshoes: Private Eyes in the Psychedelic Sixties, coming from Down & Out Books in April 2022!

~~~~~~

N. M. Cedeño is a short story writer and novelist living in Texas. She is active in Sisters in Crime- Heart of Texas Chapter and is a member of the Short Mystery Fiction Society. Find out more at nmcedeno.com.

End of Year Assessments and Thanksgiving

by N. M. Cedeño

For writers, setting and meeting goals can be done in a variety of ways. Some people count words produced in a given year. Others count finished manuscripts. This year I have been focused on my short stories, specifically on getting stories published, so I set goals for submitting my work to markets.

At the beginning of the year, I set a goal of submitting a minimum of two stories per month to publishing markets. This meant I had to write, edit, and proofread the stories, locate the markets, format each manuscript to each market’s specifications, and submit the stories via whatever process the publisher indicated. I met this goal, submitting 27 manuscripts to 19 publishing markets by mid-November.

As a result of this focus on sending my stories to markets and not just leaving them sitting on the computer, I have licensed four stories for publication this year. Another six are still under review.

Of the four accepted for publication, one was published in the October 2021 issue of After Dinner Conversation: Philosophy and Ethics Short Story Magazine. One will appear in a Crimeucopia anthology from Mysterious Ink Press called Say What Now? in March 2022. The other two are also slated to appear in 2022: one in Black Cat Mystery Magazine and one in an anthology called Groovy Gumshoes, although I don’t have publication dates for either yet.

Of these four stories, two are private detective stories. One is an amateur detective cozy mystery. One is a science fiction crime story. One story was accepted on its fifth submission. One story was accepted on its ninth submission. One story was accepted after ten submissions. And one was written for a specific call for submissions and accepted on the first try.

The shortest time it took for an editor to reject a story was six hours. The shortest wait for a story to be accepted was 40 days. The longest response time from a market on a submitted story for either an acceptance or rejection is currently at 404 days and counting. (Yep– that story was submitted in October 2020, and I still don’t have a response on it.)

Another writing goal I’d set for myself was to be invited to submit stories to closed submission calls. To meet this goal an editor would have to know and like my work well enough to reach out to me and ask me to submit a story directly to them. I expected it might take years to meet this goal which could only happen at some point after I started having stories accepted from open calls for submissions. To my surprise, I met this goal this year. I am thankful for that editor who liked my work enough to invite me to submit work directly to him.

And on the topic of thankfulness: I accomplished editing and proofreading for my stories with the help of critique partners, beta readers, and at least one sibling with an eye for plot and an unflinching willingness to point out flaws. Without people willing to read early drafts, I’d have to rely entirely on my own eye. And once I’ve read a story a hundred times, I can’t see the forest for the trees. Thanks to all the people willing to critique my work to help me improve my writing!

To all the wonderful people who support the work of writers everywhere, I want to say ‘THANK YOU!’ To the board members and volunteers who organize and plan meetings for the Heart of Texas Chapter of Sisters in Crime, to the people at national Sisters in Crime who create webinars and newsletters, to those who organize write-ins and meet-ups, to those who monitor listserv groups and organize monthly Zoom ‘watercooler’ discussions for the Short Mystery Fiction Society, thank you very much. Your work is much appreciated.

To the family members who cheer me on, to my husband and kids, to my parents and siblings, thanks for your support!

Happy Thanksgiving Everyone!

****

N. M. Cedeño is a short story writer and novelist living in Texas. She is active in Sisters in Crime- Heart of Texas Chapter and is a member of the Short Mystery Fiction Society. Find out more at nmcedeno.com.

Don’t Delete “Unsuccessful” Manuscripts

By N.M. Cedeño

A number of the stories sitting in files on my computer were written years ago, some over ten years ago, and have never been published. At times, when cleaning up my laptop, I’ve been tempted to delete some of these old stories, but I restrain myself.

Don’t move those files to trash!

Most of these old manuscripts fall into three categories. The first category consists of early writing efforts that reflect my learning process. These stories are not publication-worthy, but the ideas aren’t all bad and may warrant revisiting. The second category contains stories that could be publishable, but still need work. These stories need revision to be ready for submission or publication, but aren’t finished because I haven’t found a solution to whatever needs fixing. The last category consists of stories that are finished, but that haven’t been published even after being submitted multiple times. These manuscripts tend to be stand-alone short stories because I usually self-publish the ones in my Bad Vibes Removal Services paranormal mystery series.

Instead of deleting these unsuccessful works, I hold onto them because I know someday I may determine how to fix the unfinished ones or I may see a call for submissions or a new market that fits the finished pieces.

For example, earlier this year I discovered a call for cozy mysteries was coming, and I knew I had an old story that might fit the guidelines. The piece was a Christmas mystery set during an ice storm with all the suspects trapped together. The first draft was written in 2011 or earlier. Around 2018, I reviewed the story, updated it, and tweaked the characters, giving them more depth than they’d had in the first draft. I also changed the ending several times before I declared the manuscript done and started submitting it to markets. It was rejected eight times.

from Pixabay

As I reread the story while considering whether it fit the new call for submissions, I changed one or two lines and double-checked the editing. Then, I submitted the story, and it was accepted for publication by Black Cat Mystery Magazine. The story will come out next year, but I don’t have a date yet. More details will be coming on this one later.

Another one of my stories, a science fiction crime piece entitled “The Wrong Side of History” that features a 130-year-old politician being blackmailed over the political stances he held in his youth, was first written in 2015 or 2016. This story was finished long ago and ready for publication. I held off submitting it anywhere, at first, because it didn’t quite fit any of the publication niches I could find. The story was set in a future, post-apocalyptic society that handled a number of problematic social issues differently than we do today. Those issues include topics that are politically divisive. For a brief time, the thought of being “canceled” also held me back from submitting the story.

Eventually, I decided not submitting the story out of fear of offending someone was cowardly and exactly matched the form of self-censorship described by Ray Bradbury in Fahrenheit 451. I began submitting the story to magazines. Nine times the story was rejected. The rejections weren’t surprising since the story didn’t completely fit the niches available and because some magazines will shy away from difficult issues in stories.

After Dinner Conversation October 2021

Then, I found another market for the story, a magazine called After Dinner Conversation that specifically features short fiction that includes ethical and philosophical issues. After nine rejections, having the tenth response call the story a wonderful piece that the editor would love to publish was reason to get up and dance. It was nice to know that I was right. The story was ready for publication. I simply needed to find the right niche for it. And so the “Wrong Side of History” is now available for pre-order in the October issue of After Dinner Conversation.

And that is why I don’t delete “unsuccessful” old manuscripts. Sometimes they only need a few changes to be successful. Other times, they just need to find the right editor at the right magazine.

*****

N. M. Cedeño is a short story writer and novelist living in Texas. She is currently working on a paranormal mystery series called Bad Vibes Removal Services. Ms. Cedeño is active in Sisters in Crime- Heart of Texas Chapter. Find out more at nmcedeno.com.

Submitting Short Stories: Part 2

By N. M. Cedeño

Previously, I wrote a post covering some of the basic rules for submitting short stories to anthologies, magazines, and contests. That information can be found here: Submitting Short Stories to Anthologies, Magazines, and Contests. Below are a few more tips for submitting your stories.

1. Persistence

The very last step in submitting stories is to continue submitting until you succeed. Persistence may be to the main key to success in the entire submission process.

by Pixabay

For example, one of my short stories was recently accepted for publication by Black Cat Mystery Magazine. The story will appear in the magazine’s Cozies issue early in 2022. As near as I can tell in my records, I wrote the first draft of this story sometime in 2011. It sat in a file on my computer for several years, forgotten, until I sorted through my old stories, reread it, tweaked the ending, and finally submitted it to a market in 2018. It was rejected, so I revised it again, and resubmitted it five more times, but it was rejected each time. I submitted it next to a market that looked open on their website, but they advised me they were closed and asked that I resubmit later. I waited and resubmitted, but never received a response, which, for some markets, is the equivalent of a rejection.

Eventually, I came across the BCMM call for cozies, which seemed like a good fit for the story. So, once again, I reviewed the story, changed a few words here and there, and submitted it. By my count, BCMM was my ninth submission of the story to a market.

And so, “It Came Upon a Midnight Ice Storm” has finally found a home and will be published in 2022. If I’d given up after the first or even the fifth rejection, the story wouldn’t be under contract to be published right now.

2. Response Times

Pixabay

How long does it take to hear back from a publishing market rejecting or accepting a story? Response times for short story markets differ dramatically. In the world of science fiction short stories, I discovered one market where I submitted the story after 5 pm and received a rejection by email at around 1 am the next morning. Receiving a rejection in eight hours or less is apparently not unusual for that market. At the other end of the spectrum is Alfred Hitchcock Mystery Magazine which, based on the data on Submission Grinder, is currently taking approximately 350 days, almost a full year, to respond to submissions.

Some markets post on their guidelines page how long they expect to take to respond to your submission. Others do not give any information. Currently, I have a story submitted to an anthology call for submissions that did not provide any estimate for when they will respond with either acceptances or rejections. They’ve had the story for about three months. All I can do is wait patiently to for the editor to eventually respond. I won’t be surprised if I have to wait six months. Waiting months for a response to a submission is much more common than waiting only hours in the world of mystery short story submissions. However, I have seen mystery anthology editors reject stories within a matter of days.

3. Finding calls for submissions and open markets

Be on the lookout for calls for submissions and market opening dates. The Submission Grinder has a tab on their home screen labeled “Recently Added Markets.” New calls for submissions and updates on markets are posted there regularly. You can also find calls for submissions by joining groups that inform their members of new calls. The Short Mystery Fiction Society, for example, informs members of calls for submissions via an online group chat and a website market page.

To find markets that open and close on set dates throughout the year, use the search feature on Submission Grinder and uncheck the box eliminating temporarily closed markets. Then, when you search for markets, all the temporarily closed markets will appear in your search. Some of these magazines and e-zines only open for submissions for a week or two at a time in various months of the year. Unless you know when those dates are, you will miss your chance to submit to these markets.

Good luck with your submissions!

****

N. M. Cedeño is a short story writer and novelist living in Texas. She is currently working on a paranormal mystery series called Bad Vibes Removal Services. Ms. Cedeño is active in Sisters in Crime- Heart of Texas Chapter. Find out more at nmcedeno.com.